related works
Telegraphic : for ensemble and live electronics / Yannis Kyriakides
Genre:
Multimedia
Subgenre:
Mixed ensemble (2-12 players) with multimedia
Scoring:
fl cl-b, trb keyb vc db tape
Cinq hymnes : for mixed choir, 2 pianos and percussion, 1987/88 / Ton de Leeuw
Genre:
Vocal music
Subgenre:
Mixed choir and instruments; Mixed choir
Scoring:
GK4 2pf ; GK4 ; GK4 2pf 2perc ; GK6 ; GK4 2pf 2perc
Genre:
Vocal music
Subgenre:
Mixed choir and instruments
Scoring:
sopr ten GK4 3perc 2pf
De vogels : voor koor, solisten en slagwerk, 1984-1986 / tekst naar Aristophanes, Klaas Govers
Genre:
Vocal music
Subgenre:
Mixed choir and instruments
Scoring:
soloists choir 3perc
composition
Ein Schemen (A Recomposition of Ein Deutsches Requiem) : for harp, electronics and choir / Yannis Kyriakides
Other authors:
Brahms, Johannes
(On a theme by)
Kyriakides, Yannis
(Composer)
Description:
This composition is a reworking of Ein Deutsches Requiem by Johannes Brahms. The seven movements, which flow seemlessly from one another, are each based on the corresponding movement from the original Brahms Requiem. The music focuses on a small number of elements from the original material and stretches it out into a landscape. Time is suspended and the listener can navigate in the space, moving through traces of Brahms. The music of the harp which frames the choir parts, is an encoding of the original texts from the Requiem. It creates a perspective on the static flow of the choir and electronic parts which changes gradually through the piece.
The title of this recomposition is a quote from a line in part III: ' Sie gehen daher wie ein Schemen.' 'Ein Schemen' is an old German word for shadow or apparition, probably derived from the Latin word 'Schema'. I find it an apt word to use in this context because it reflects the nature of this piece. It is both about the connection of the living to the dead, and at the same time, it says something about the relation of this piece to the original work of Brahms. It is composed in its shadow and it is permeated by his notes as ghostly presences.
Yannis Kyriakides