related works

Bee Cult : for marimba (with shaker and bass drum) / Yannis Kyriakides

Genre: Multimedia
Subgenre: Percussion with multimedia
Scoring: mar (elec)

Naima : (1985), an opera in three acts / libretto: Lodewijk de Boer, by Theo Loevendie

Genre: Opera, musical theatre
Subgenre: Opera
Scoring: soloists GK4 3333 4401 timp 4perc pf(cel) hp str on stage: fl cl-b sax 4trb 2perc

Nun Lob (Ich dank Dir) : for saxophone solo, saxophone trio and organ / Chiel Meijering

Genre: Unknown
Subgenre: Mixed ensemble (2-12 players)
Scoring: sax-s/b solo, sax-s sax-a sax-t org

Liber I Motettorum : 25 Motets for 4 voices by various composers / Published by Pierre Attaignant; transcribed and edited by Cees Wagemakers

Genre: Vocal music
Subgenre: Mixed choir
Scoring: GK

composition

Ein Schemen (A Recomposition of Ein Deutsches Requiem) : for harp, electronics and choir / Yannis Kyriakides

Other authors:
Brahms, Johannes (On a theme by)
Kyriakides, Yannis (Composer)
Description:
This composition is a reworking of Ein Deutsches Requiem by Johannes Brahms. The seven movements, which flow seemlessly from one another, are each based on the corresponding movement from the original Brahms Requiem. The music focuses on a small number of elements from the original material and stretches it out into a landscape. Time is suspended and the listener can navigate in the space, moving through traces of Brahms. The music of the harp which frames the choir parts, is an encoding of the original texts from the Requiem. It creates a perspective on the static flow of the choir and electronic parts which changes gradually through the piece.
The title of this recomposition is a quote from a line in part III: ' Sie gehen daher wie ein Schemen.' 'Ein Schemen' is an old German word for shadow or apparition, probably derived from the Latin word 'Schema'. I find it an apt word to use in this context because it reflects the nature of this piece. It is both about the connection of the living to the dead, and at the same time, it says something about the relation of this piece to the original work of Brahms. It is composed in its shadow and it is permeated by his notes as ghostly presences.
Yannis Kyriakides