related works
Dirt to Gold : for chamber orchestra / Brendan Faegre
Genre:
Orchestra
Subgenre:
Large ensemble (12 or more players)
Scoring:
2fl 2ob 2cl 2fg 2h 2trp trb trb-b timp perc hp 2vln vla vc db
Black City : Concerto for violoncello and orchestra Nº 2 / Douglas Knehans
Genre:
Orchestra
Subgenre:
Orchestra
Scoring:
vc-solo dulc pf hp sopr(offstage) 2fl(picc) 2ob 2cl 2fg(cfg) 4h 2tpt 2trb-t trb-b tb timp 3perc str
Elverhöi : sinfonisch gedicht, voor symphonie orkest, opus 48, 1940 / Johan Wagenaar
Genre:
Orchestra
Subgenre:
Orchestra
Scoring:
2fl fl(pic) ob ob(eh) 2cl 2fg 4h 3trp 3trb timp 2perc hp str
Springs Eternal : for orchestra / Giel Vleggaar
Genre:
Orchestra
Subgenre:
Orchestra
Scoring:
2fl 2ob 2cl 2fg 4h 4trp 2trb trb-b 2tb timp 4perc 2hp str
composition
Analog Intelligence : for orchestra / Brendan Faegre
Other authors:
Faegre, Brendan
(Composer)
Description:
Analog Intelligence was originally written for my violin/drum-kit/electronics trio ‘Bow Hammer Connection’. It was a 21st Century Dance Suite, exploring five Electronic Dance Music genres: Dubstep, IDM, Ambient, Acid House, and Drum 'n' Bass. Although we may think of these styles as unrelated to the Sarabandes, Menuets, and Gigues of Bach’s famous dance suites, these EDM genres are our contemporary equivalent. In Analog Intelligence, as in Bach’s suites and partitas, each dance is taken as a starting point for creating a piece of concert music – something to stimulate the body, yes, but also the mind and ears.
When Roger Kalia approached me about writing a piece for the Pacific Symphony Youth Orchestra, I knew the dance suite could be done great justice in a detailed orchestration. I chose three of the movements – Dubstep, IDM, and Drum ‘n’ Bass – and set about translating the heavily electronic soundworld of the original piece into the language of an acoustic orchestra. The echo effect became slow wah-wah mutes in the brass, the distortion effect became aluminum foil mutes in the strings, and the reverb effect became airy sounds from all sections of the orchestra. In this new version a unique sonic environment is born, straddling the line between acoustic orchestral and electronic chamber music.