related works
Red, white and blues : Dutch new blues pieces, for piano, volume 1
	
			Genre: 
		
		Chamber music
	
			Subgenre: 
		
		Piano
	
			Scoring: 
		
		pf
	
Ereprijs in haar keel : voor sopraan en ensemble / Chiel Meijering; lyrics by Piet Gerbrandy
	
			Genre: 
		
		Vocal music
	
			Subgenre: 
		
		Voice and large ensemble
	
			Scoring: 
		
		pic fl cl sax-s sax-a h trp 2trb tb perc pf g-el g-b
	
Spring at Enoshima : for soprano and ensemble : 2005 : text based on Japanese Surimono / Wim Laman
	
			Genre: 
		
		Vocal music
	
			Subgenre: 
		
		Voice and large ensemble
	
			Scoring: 
		
		sopr fl(pic) ob cl(cl-b) h perc hp pf g man 2vl vla vc cb
	
	
			Genre: 
		
		Vocal music
	
			Subgenre: 
		
		Voice and large ensemble
	
			Scoring: 
		
		voice fl ob eh hp 2vl vla vlc
	
composition
				Stap verder : for female voice, tapdancer and big band / Vanessa Lann; text by Emma Lazarus
			
					
										Other authors:
									
									
									Lazarus, Emma
									(Text writer/Librettist)
								
							Lann, Vanessa
									(Composer)
								
							
							Description:
						
						
						The African hocket technique of ‘one player, one note’ was the
inspiration and structural basis for Stap verder. In the ensemble music of many African communities each instrument produces only one tone. Each musician is responsible for voicing that tone, and only that tone, using the unique sound and character of his or her instrument. This reflects how the role of the individual in these societies is perceived. The Ngumi proverb ‘Umuntu ngumuntu ngabantu’ means that an individual ‘exists’ only through contact with other persons in the community. Similarly, in this type of music (just as in Stap verder) a melody becomes discernible only when each player grows aware of the contribution of every other player. However simple, each person’s musical gesture is significant; without the participation of each member of the group, no music can happen.
Emma Lazarus’ immortal text (engraved on the Statue of Liberty in NY) – “Give me your tired, your poor, your huddled masses…” – also mirrors the belief that a society cannot successfully exist without recognizing the voice of even the smallest individual.
Vanessa Lann (October 2016)