composer
The music of Brendan Faegre (b. 1985, USA) unites the traditions within which he was formed: jazz and rock drumming, Hindustani classical, and contemporary concert music.
Faegre's music has been performed around the ...
related works
Carl's Lament : for chamber orchestra / Brendan Faegre; text by Brendan Faegre
Genre:
Vocal music
Subgenre:
Speak Voice and large ensemble
Scoring:
stem 2fl 2ob 2cl 2sax-a 2fg 2h 2tpt trb 2perc str
Ma Blonde : for basstrombone, tenor trombone and harp / Chiel Meijering
Genre:
Chamber music
Subgenre:
Mixed ensemble (2-12 players)
Scoring:
t-trb, b-trb, harp
Something Twisted : for ensemble / Natalie Dietterich
Genre:
Chamber music
Subgenre:
Mixed ensemble (2-12 players)
Scoring:
bcl bsn h tpt tbn perc pf vl vla vc db
Lullaby : Version for flute, violin and piano / Nimrod Borenstein
Genre:
Chamber music
Subgenre:
Mixed ensemble (2-12 players)
Scoring:
fl vn pf
composition
The Brightness of Light : for 11 musicians / Brendan Faegre
Description:
The Brightness of Light is a sonic exploration of Georgia O’Keeffe’s painting style during her many summers spent on the Stieglitz estate in Lake George. It is influenced by her techniques as an artist generally, and also specifically by her Jack-in-the-Pulpit series, from which I translated many elements into my musical realm.
Her Jack-in-the-Pulpit series consists of six paintings, presenting this common flower from a variety of perspectives and levels of abstraction. I was particularly moved by the steady increase of magnification and abstraction resulting from placing three of these paintings in the order No. 2, No. 4, No. 6. This formed the main structure of The Brightness of Light, and No. 5 followed as a kind of improvisatory coda.
In translating aspects of her Jack series into musical ideas, her use of color became my use of instrumentation; her use of smoothness and jaggedness became my use of legato and staccato; contrast became antiphony; leaf-tips became cadences; and abstraction became melodic fragmentation.
Through this composition I hope to have paid respect to O’Keeffe and her works, which have now allowed a new work of art—albeit in a different medium—to come to life.