Samson, René

René Samson (1948-2019) was born in Paramaribo, the capital city of Surinam (former Dutch Guyana in South America). He grew up in a home where music (from classical music to ...

related works

Kinot (Klaagzangen) : Oratorium voor gemengd koor, koperensemble, slagwerk en harp / René Samson; Op teksten uit het Oude Testament (Jeremia’s Klaagzangen en Psalm 23) en een gedicht van Nelly Sachs

Genre: Vocal music
Subgenre: Mixed choir and large ensemble
Instruments: GK4 4trp 4h 4trb trb-b tb 2perc hp

Sonate no. 2 : fluit, piano, opus 40, 1943 / Herman Mulder

Genre: Chamber music
Subgenre: Flute and keyboard instrument
Instruments: fl pf

In memoriam George Antheil : (Het verkeerde been), voor fluit en piano, 1999 / Jan Bus

Genre: Chamber music
Subgenre: Flute and keyboard instrument
Instruments: fl pf

Sonata : for piccolo and piano / Jan Vriend

Genre: Chamber music
Subgenre: Flute and keyboard instrument
Instruments: picc pf



Butternut Squash Za'atar : for flute and piano / René Samson

Publisher's number: 15302
Genre: Chamber music
Subgenre: Flute and keyboard instrument
Instruments: fl pf
Duration: 10'30"
Number of players: 2
Year of composition: 2015
Status: fully digitized (real-time delivery)

About the title of this piece: I am very lucky to have a partner in life who is not only a gifted photographer and graphic designer, but also a professional musician with whom I can share my thoughts, ideas and doubts about my activities as a composer. She always wants to know what I'm "up to" and it's a great pleasure and privilege for me to have her as a sparring partner. When she asked me what this new piece is going to be about, I told her that it would be a Variation Form based on the singularly interesting theme of one single note: a "b" in the first octave of the flute. The piece would start with this note; subsequently, very gradually, short melodic motives would then emerge from this starting point. After giving this some thought, she came forward with an image that I found interesting.
She and I and four dear friends had just returned from a gastronomical "pilgrimage" to London in which we sampled three out of four of Ottolenghi's restaurants in London. For the odd chance that the reader might not know who or what Ottolenghi is: Yotam Ottolenghi and Sami Tamimi are two Israelis - the former Jewish, the latter Palestinian - who have pioneered a new style of cooking that has recently become incredibly popular. In my group of friends, we all adore this cuisine, to the point of (or beyond) it becoming a minor (but hopefully relatively harmless) cult.
To return to my partner's interesting image: this slow musical development from a solitary b1 to ever more widely-ranging melodic motives reminded her of the way some of the dishes we had eaten in Ottolenghi's restaurants would communicate themselves to the taste buds: one-by-one certain herbal overtones would fill the palate until finally the full bouquet would form a full-fledged harmonic confluence.
I found this an inspirational concept. It comes back in the title of the piece, in the front cover of the score, which was designed by my partner (Annelies Kok-van Leengoed) and in the development and atmosphere of the piece itself.
René Samson, Amsterdam June 2015

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Product Description Price/piece Count
Score Download to Newzik (A4), 32 pages EUR 15.30
Download as PDF (A4), 32 pages EUR 18.36
Hardcopy, normal size (A4), 32 pages EUR 30.60
Parts Download to Newzik (A4), 9 pages EUR 8.97
Download as PDF (A4), 9 pages EUR 10.77
Hardcopy, normal size (A4), 9 pages EUR 17.95