related works

Promptuarium Musicum: Motets through the Liturgical Year (Volume III) : for 5, 6, 7 & 8 voices and basso continuo (Other Feasts and Communion) / Collected by Abraham SchadÆus; transcribed and edited by Cees Wagemakers

Genre: Vocal music
Subgenre: Mixed choir
Scoring: GK

On sensations of tone : for mixed choir and tape, 1995, revision 1997 / Roderik de Man

Genre: Vocal music
Subgenre: Mixed choir; Multimedia and singing voice(s) with or without instrument(s)
Scoring: GK8 tape

Psalm 21 : for mixed choir / William Knight

Genre: Vocal music
Subgenre: Mixed choir
Scoring: GK4

Car nos vignes sont en fleurs : pour 12 voix mixtes, 1981 / texte: extraits du Cantique des Cantiques, Ton de Leeuw

Genre: Vocal music
Subgenre: Mixed choir
Scoring: 3sopr 3alt 3ten 3bas

 

composition

Promptuarium Musicum: Motets through the Liturgical Year (Volume III) : for 5, 6, 7 & 8 voices and basso continuo (Other Feasts and Communion) / Collected by Abraham SchadÆus; transcribed and edited by Cees Wagemakers

Publisher's number: 14763
Genre: Vocal music
Subgenre: Mixed choir
Scoring: GK
Remarks: Early Music Edition.
Year of composition: 1612
Status: Unique collection of Renaissance manuscripts transposed to contemporary notation. Hundreds of vocal works that had been hidden away in various libraries across Europe, now available for the first time, thanks to tireless work of editor Cees Wagemakers.

Other authors:
Wagemakers, Cees (Editor)
SchadÆus, Abraham (Curator)
Contains:
Gasparo Villani (1546-1619): O sacrum convivium à 5 (2’15”)
Girolamo Giacobbi (1567-1629): Caro mea à 5 (2’)
Francesco Bianciardi (1570-1607): O pretiosum et admirandum à 5 (2’30”)
Giovanni Battista Stefanini (1574-1630): Gustate et videte à 5 (3’15”)
Ottavio Catalani (? -1644): Ave verum corpus à 5 (2’45”)
Caspar Vincent (1580-1624): Pange lingua - Verbum caro à 6 (9’30”)
Giovanni Piccioni (c. 1548-c. 1619): O Iesu mi dulcissime à 6 (2’)
Michele Varotto (c. 1525-1599): Spiritus meus à 6 (5’)
Girolamo Giacobbi (1567-1629): Salve victima salutaris à 7 (2’)
Giovanni Battista Steffanini (1574-1630): O Sacramentum à 7 (3’15”)
Philippe de Monte (1521-1603): Ego sum panis vivus à 7 (3’)
Nicolò Parma (fl. 1575-1613): Homo quidam fecit coenam magnam à 8 (2’15”)
Vincenzo Bertolusi (c. 1550-1608): Caro mea à 8 (3’)
Ludovico Spontoni (1555-c. 1609): Respexit Elias à 8 (3’)
Luigi Balbi (fl. 1585-1621): Quemadmodum desiderat à 8 (4’30”)
Leone Leoni (c. 1550-1627): O sacrum ed admirabile convivium à 8 (2’15”)
Tiburtio Massaino (c. 1550-1609): Ego sum panis vivus à 8 (4’30”)
Description:
In the years 1611 and 1612 two voluminous collections of motets appeared with the name Promptuarium Musicum, volumes I and II.
Both volumes consisted of 100 motets each, to be used during the liturgical year. The first book (1611) contained motets for sundays during Advent, Nativity, The Feast of the Name of Jesus, Epiphany, The Purification of the Virgin Mary, The Annunciation, Occasions of penitence, Lent period, and the Passion of the Lord. The second book (1612) contained motets on Antiphones, Introits, Graduals, Hymns etc. for several individual sundays, and feasts as Easter, Ascension, Pentecost, and several Communion motets. Later appeared more than 200 motets of other liturgical feasts through the year.

Sheet Music
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Product Description Price/piece Count
Score Download to Newzik (A4), 146 pages EUR 49.34
Download as PDF (A4), 146 pages EUR 59.20
Hardcopy, normal size (A4), 146 pages EUR 98.68