composer

Brewaeys, Luc

General: Luc Brewaeys was born on August 25, in 1959 in Mortsel (Belgium) and passed away on December 18, in 2015. Education: He studied composition with André Laporte in Brussels (Belgium), ...

related works

.., e poi c’era… : Symphony Nº 1 / Luc Brewaeys

Genre: Orchestra
Subgenre: Orchestra
Instruments: 3fl 3ob 3cl 3fg 4h 3trp 3trb tb 4perc hp pf perc

Keats I : for high voice and chamber orchestra, 1997 / on words by John Keats, Maarten Altena

Genre: Vocal music
Subgenre: Voice and large ensemble
Instruments: high 2222 2220 2perc pf vl 2vla 2cb

La messe : for solo mezzo-soprano, accordion and cello and large wind orchestra, 1988 / text by Paul Verlaine, Bernard van Beurden

Genre: Vocal music
Subgenre: Voice and large ensemble; Voice and HaFaBra; Two or more different solo instruments and HaFaBra
Instruments: sopr-m 3242 5sax 4342 barh 6perc acc-vc-solo

Song of the Witches : for soprano and ensemble / Chiel Meijering; lyrics by W. Shakespeare

Genre: Vocal music
Subgenre: Voice and large ensemble
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composition

Schumann’s Ghosts : for soprano ad lib. and ensemble / Luc Brewaeys

Publisher's number: 13637
Genre: Vocal music
Subgenre: Voice and large ensemble
Duration: 2'25"
Number of players: 10
Year of composition: 1999
Status: not yet digitized (expected delivery time 14 days)

Description:
This small piece was commissioned by the Ictus Ensemble and composed in 1999. It was (the first) part of a cycle of "arrangements/revisits" of the song cycle op. 99 by Robert Schumann, realized by 7 composers, among them Jonathan Harvey. The idea was to keep untouched the vocal line composed by Schumann, while everything alse was totally free to each composer's discretion. I received song n° 1 "Lied des Schmiedes" (Song of the smith), which is very staightforward and harmonically very simple. I just kept the basic harmony and filled it with different moods, at places with many notes. I took a lot of fun realizing this, quoted Mahler (2nd Symphony) and Janacek (Glagolithic Mass) and made a grotesque kind of Foxtrot in the third verse.  At the end a cuckoo sings "goodbye", while repeating sharpening by a quarter tone each time and the ensemble desintegrates before playing the conclusive bars which are a perfect mirror of the first two. I intentionally previewed two versions, with or without the voice. The first performance took place in december '99 in Brussels by Mitsuko Shirai with the Ictus Ensemble under George-Elie Octors.

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