related works
Genre:
Vocal music
Subgenre:
Voice and instrument(s)
Scoring:
sopr-mezzo fl(fl-a, picc) vc hp 3pf
Keats II : for high voice and chamber orchestra, 1997 / on words by John Keats, Maarten Altena
Genre:
Vocal music
Subgenre:
Voice and large ensemble
Scoring:
high 2222 2220 2perc pf 4vl 2vla 2cb
Genre:
Vocal music
Subgenre:
Voice and large ensemble
Scoring:
sopr fl/picc/fl-a cl/cl-b h perc hp pf 2vln vla vc db
Des Knaben Wunderhorn / Gustav Mahler, arr. Dimitris Andrikopoulos
Genre:
Vocal music
Subgenre:
Voice and large ensemble
Scoring:
voice 1111 1100 3perc hp pf harm 3perc 2vl vla vc cb
composition
Schumann’s Ghosts : for soprano ad lib. and ensemble / Luc Brewaeys
Author(s):
Brewaeys, Luc
(Composer)
Description:
This small piece was commissioned by the Ictus Ensemble and composed in 1999. It was (the first) part of a cycle of "arrangements/revisits" of the song cycle op. 99 by Robert Schumann, realized by 7 composers, among them Jonathan Harvey. The idea was to keep untouched the vocal line composed by Schumann, while everything alse was totally free to each composer's discretion. I received song n° 1 "Lied des Schmiedes" (Song of the smith), which is very staightforward and harmonically very simple. I just kept the basic harmony and filled it with different moods, at places with many notes. I took a lot of fun realizing this, quoted Mahler (2nd Symphony) and Janacek (Glagolithic Mass) and made a grotesque kind of Foxtrot in the third verse. At the end a cuckoo sings "goodbye", while repeating sharpening by a quarter tone each time and the ensemble desintegrates before playing the conclusive bars which are a perfect mirror of the first two. I intentionally previewed two versions, with or without the voice. The first performance took place in december '99 in Brussels by Mitsuko Shirai with the Ictus Ensemble under George-Elie Octors.