related works
Talisker : for ensemble / Luc Brewaeys
Genre:
Chamber music
Subgenre:
Mixed ensemble (2-12 players)
Scoring:
cl cl-cb h cl-choir slag
Urban songs : soprano, large ensemble, computers / Klas Torstensson
Genre:
Vocal music
Subgenre:
Voice and large ensemble; Multimedia and singing voice(s) with or without instrument(s)
Scoring:
sopr(synth) 2pic(fl) ob eh cl-b cl-cb fg(cfg) 2sax h 2trp trb tb 2perc g-b pf keyboard 2vl vla vc cb computers
Genre:
Vocal music
Subgenre:
Voice and large ensemble
Scoring:
voc fl/picc cl sax-a 3 sax-t fg 5trp 4trb trb-b tb 2perc g-e g pf db tapdancer
Genre:
Vocal music
Subgenre:
Voice and large ensemble
Scoring:
trio: sopr vla bando ensemble: 1121 1110 perc pf 2vl vc cb
composition
Schumann’s Ghosts : for soprano ad lib. and ensemble / Luc Brewaeys
Other authors:
Brewaeys, Luc
(Composer)
Description:
This small piece was commissioned by the Ictus Ensemble and composed in 1999. It was (the first) part of a cycle of "arrangements/revisits" of the song cycle op. 99 by Robert Schumann, realized by 7 composers, among them Jonathan Harvey. The idea was to keep untouched the vocal line composed by Schumann, while everything alse was totally free to each composer's discretion. I received song n° 1 "Lied des Schmiedes" (Song of the smith), which is very staightforward and harmonically very simple. I just kept the basic harmony and filled it with different moods, at places with many notes. I took a lot of fun realizing this, quoted Mahler (2nd Symphony) and Janacek (Glagolithic Mass) and made a grotesque kind of Foxtrot in the third verse. At the end a cuckoo sings "goodbye", while repeating sharpening by a quarter tone each time and the ensemble desintegrates before playing the conclusive bars which are a perfect mirror of the first two. I intentionally previewed two versions, with or without the voice. The first performance took place in december '99 in Brussels by Mitsuko Shirai with the Ictus Ensemble under George-Elie Octors.