related works
Along the Shores of Lorn : for symphony orchestra / Luc Brewaeys
Genre:
Orchestra
Subgenre:
Orchestra
Scoring:
picc fl ob eh cl cl-b 2fg 2h 2trp 2perc str
Genre:
Vocal music
Subgenre:
Voice and large ensemble
Scoring:
fl ob cl cl-b fg h perc hp str
Genre:
Vocal music
Subgenre:
Voice and large ensemble; Multimedia and singing voice(s) with or without instrument(s)
Scoring:
bas-bar 1020 1110 2perc hp cemb(cel pf) vl vla vc tape
L'autunno di Christina : Dramatic scene for soprano and large ensemble / Klas Torstensson
Genre:
Vocal music
Subgenre:
Voice and large ensemble
Scoring:
sopr-solo fl/picc ob/eh cl-cl-b fg tpt h trb-t/trb-b pf 2perc 2vn vla vc db
composition
Schumann’s Ghosts : for soprano ad lib. and ensemble / Luc Brewaeys
Other authors:
Brewaeys, Luc
(Composer)
Description:
This small piece was commissioned by the Ictus Ensemble and composed in 1999. It was (the first) part of a cycle of "arrangements/revisits" of the song cycle op. 99 by Robert Schumann, realized by 7 composers, among them Jonathan Harvey. The idea was to keep untouched the vocal line composed by Schumann, while everything alse was totally free to each composer's discretion. I received song n° 1 "Lied des Schmiedes" (Song of the smith), which is very staightforward and harmonically very simple. I just kept the basic harmony and filled it with different moods, at places with many notes. I took a lot of fun realizing this, quoted Mahler (2nd Symphony) and Janacek (Glagolithic Mass) and made a grotesque kind of Foxtrot in the third verse. At the end a cuckoo sings "goodbye", while repeating sharpening by a quarter tone each time and the ensemble desintegrates before playing the conclusive bars which are a perfect mirror of the first two. I intentionally previewed two versions, with or without the voice. The first performance took place in december '99 in Brussels by Mitsuko Shirai with the Ictus Ensemble under George-Elie Octors.