related works

...e poi c’era… : Symphony Nº 1 / Luc Brewaeys

Genre: Orchestra
Subgenre: Orchestra
Scoring: 3fl 3ob 3cl 3fg 4h 3trp 3trb tb 4perc hp pf perc

Urban songs : soprano, large ensemble, computers / Klas Torstensson

Genre: Vocal music
Subgenre: Voice and large ensemble; Multimedia and singing voice(s) with or without instrument(s)
Scoring: sopr(synth) 2pic(fl) ob eh cl-b cl-cb fg(cfg) 2sax h 2trp trb tb 2perc g-b pf keyboard 2vl vla vc cb computers

Paradiso II : for baritone and orchestra / JacobTV - Jacob Ter Veldhuis

Genre: Vocal music
Subgenre: Voice and large ensemble
Scoring: bar fl(pic fl-a) ob(eh) cl fg 2h trp trb perc hp pf 2vl vla vc cb

Bamboleamos no mundo / Jan van de Putte

Genre: Vocal music
Subgenre: Voice and large ensemble
Scoring: sopr alt 2fl ob 2cl fg 2h trp trb tb 3perc cymb acc pf hp 2vl vla vc db

 

composition

Schumann’s Ghosts : for soprano ad lib. and ensemble / Luc Brewaeys

Publisher's number: 13637
Genre: Vocal music
Subgenre: Voice and large ensemble
Duration: 2'25"
Number of players: 10
Year of composition: 1999
Status: not yet digitized (expected delivery time 14 days)

Other authors:
Brewaeys, Luc (Composer)
Description:
This small piece was commissioned by the Ictus Ensemble and composed in 1999. It was (the first) part of a cycle of "arrangements/revisits" of the song cycle op. 99 by Robert Schumann, realized by 7 composers, among them Jonathan Harvey. The idea was to keep untouched the vocal line composed by Schumann, while everything alse was totally free to each composer's discretion. I received song n° 1 "Lied des Schmiedes" (Song of the smith), which is very staightforward and harmonically very simple. I just kept the basic harmony and filled it with different moods, at places with many notes. I took a lot of fun realizing this, quoted Mahler (2nd Symphony) and Janacek (Glagolithic Mass) and made a grotesque kind of Foxtrot in the third verse.  At the end a cuckoo sings "goodbye", while repeating sharpening by a quarter tone each time and the ensemble desintegrates before playing the conclusive bars which are a perfect mirror of the first two. I intentionally previewed two versions, with or without the voice. The first performance took place in december '99 in Brussels by Mitsuko Shirai with the Ictus Ensemble under George-Elie Octors.

Interest
Do you have interest in buying the sheet music of this work? Please let us know so we can digitize this work with priority without any obligation of you.
Name
Email