related works
Fêtes à tensions: (les) eaux marchent : for 20 players / Luc Brewaeys
Genre:
Chamber music
Subgenre:
Large ensemble (12 or more players)
Scoring:
fl(picc, fl-a) ob cl cl-b fg h trp trb 2perc hp pf 3vl 2vla 2vc db
MERZ : for voice and ensemble / Hans Koolmees, on texts by Kurt Schwitters
Genre:
Vocal music
Subgenre:
Voice and large ensemble
Scoring:
zang 2fl cl 2sax tpt 2trb tb g-e g-b perc pf/cel
Zwei Lieder : für Bariton und Instrumente, (1971) / Robert de Roos
Genre:
Vocal music
Subgenre:
Voice and large ensemble; Voice and instrument(s)
Scoring:
bar fl ob(eh) cl(cl-b) perc cel pf (1-4)vla (1-3)vc
1494 : for voice and instrumental ensemble, 1992-1993 / Kim Bowman
Genre:
Vocal music
Subgenre:
Voice and large ensemble; Voice and orchestra
Scoring:
sopr(perc) 1001 2200 2perc hp pf vl vla vc cb / sopr(perc) 1001 2200 2perc hp pf str
composition
Schumann’s Ghosts : for soprano ad lib. and ensemble / Luc Brewaeys
Other authors:
Brewaeys, Luc
(Composer)
Description:
This small piece was commissioned by the Ictus Ensemble and composed in 1999. It was (the first) part of a cycle of "arrangements/revisits" of the song cycle op. 99 by Robert Schumann, realized by 7 composers, among them Jonathan Harvey. The idea was to keep untouched the vocal line composed by Schumann, while everything alse was totally free to each composer's discretion. I received song n° 1 "Lied des Schmiedes" (Song of the smith), which is very staightforward and harmonically very simple. I just kept the basic harmony and filled it with different moods, at places with many notes. I took a lot of fun realizing this, quoted Mahler (2nd Symphony) and Janacek (Glagolithic Mass) and made a grotesque kind of Foxtrot in the third verse. At the end a cuckoo sings "goodbye", while repeating sharpening by a quarter tone each time and the ensemble desintegrates before playing the conclusive bars which are a perfect mirror of the first two. I intentionally previewed two versions, with or without the voice. The first performance took place in december '99 in Brussels by Mitsuko Shirai with the Ictus Ensemble under George-Elie Octors.