related works

Introduction : for english horn and (youth / school / amateur) orchestra / Luc Brewaeys

Genre: Orchestra
Subgenre: Oboe and orchestra
Scoring: eh-solo 2fl 2ob 2cl 2fg 4h 2trp 2trb tb 3perc pf str

Von Hannenheim Lieder : for voice and ensemble, 1999 / on poems by Rainer Maria Rilke, Jenny Boese en Emil von Schönaich-Carolath, instrumentation by Geert van Keulen

Genre: Vocal music
Subgenre: Voice and large ensemble
Scoring: high 2023 1110 perc harm pf 2vl vla vc cb

A crossing place : for mezzo-soprano and instrumental ensemble, 1989 / Frank de Munnik

Genre: Vocal music
Subgenre: Voice and large ensemble
Scoring: sopr-m 1121 1110 perc hp pf vl vla vc cb

Het gevecht : voor bas/bariton, instrumentaal ensemble en tape, 1978, revisie 1993 / muziek: Wim Laman, tekst: Armando

Genre: Vocal music
Subgenre: Voice and large ensemble; Multimedia and singing voice(s) with or without instrument(s)
Scoring: bas-bar 1020 1110 2perc hp cemb(cel pf) vl vla vc tape

 

composition

Schumann’s Ghosts : for soprano ad lib. and ensemble / Luc Brewaeys

Publisher's number: 13637
Genre: Vocal music
Subgenre: Voice and large ensemble
Duration: 2'25"
Number of players: 10
Year of composition: 1999
Status: not yet digitized (expected delivery time 14 days)

Other authors:
Brewaeys, Luc (Composer)
Description:
This small piece was commissioned by the Ictus Ensemble and composed in 1999. It was (the first) part of a cycle of "arrangements/revisits" of the song cycle op. 99 by Robert Schumann, realized by 7 composers, among them Jonathan Harvey. The idea was to keep untouched the vocal line composed by Schumann, while everything alse was totally free to each composer's discretion. I received song n° 1 "Lied des Schmiedes" (Song of the smith), which is very staightforward and harmonically very simple. I just kept the basic harmony and filled it with different moods, at places with many notes. I took a lot of fun realizing this, quoted Mahler (2nd Symphony) and Janacek (Glagolithic Mass) and made a grotesque kind of Foxtrot in the third verse.  At the end a cuckoo sings "goodbye", while repeating sharpening by a quarter tone each time and the ensemble desintegrates before playing the conclusive bars which are a perfect mirror of the first two. I intentionally previewed two versions, with or without the voice. The first performance took place in december '99 in Brussels by Mitsuko Shirai with the Ictus Ensemble under George-Elie Octors.

Interest
Do you have interest in buying the sheet music of this work? Please let us know so we can digitize this work with priority without any obligation of you.
Name
Email