related works
Talisker : for ensemble / Luc Brewaeys
Genre:
Chamber music
Subgenre:
Mixed ensemble (2-12 players)
Scoring:
cl cl-cb h cl-choir slag
Cyclophony VIII : for wind quintet & strings / Hans Kox
Genre:
Orchestra
Subgenre:
Wind and string instrument(s); Orchestra
Scoring:
fl ob cl fg h vl vla vc cb / 1111 1000 str(6.4.4.2.)
Fasten Seat Belts! : Nightmare for orchestra / Luc Brewaeys
Genre:
Orchestra
Subgenre:
Orchestra
Scoring:
3fl 2ob eh 2cl cl-b afg cfg 4h 3tpt 3trb tb timp 3perc hp str
Downbeat : for pop orchestra / Chiel Meijering
Genre:
Orchestra
Subgenre:
Orchestra
Scoring:
2fl ob 4sax fh 4tpt 4trb perc harp e-pf 3e-g str
composition
Symphony N° 7 : for symphony orchestra / Luc Brewaeys
Author(s):
Brewaeys, Luc
(Composer)
Description:
This work was composed in 2001-02 on commission of the Royal Philharmonic Orchestra of Flanders and has been first performed by this orchestra under Arturo Tamayo on 7 september 2002 at deSingel in Antwerp. This symphony consists of three movements played without interruption : the first two movements are relatively swift and short and are followed by a (much longer) Adagio. The orchestra isn't very large, the percussion section is very restrained compared to my previous symphonies, but there are two duo's (horn and trombone twice) left and right backstage (or even preferably in the back of the hall). They have an important part in the story.
The first movement is called "Fanfares" and also sounds a bit like that, including the overtones and echos of the "hidden" instruments. This is interrupted for a while by a soft passage referring to the last movement. The idea was to start in a very "optimistic" way in order to prepare the audience (and the orchestra) for the following. The second movement (Allegro con moto) is some kind of mini-concertino for the winds, I challenge their technical abilities and rythmical feeling. Follows the Adagio that was concieved as a huge goat of severe music. The base is some sort of monolitisch/acid "concealed" chorale played by increasing amounts of instrumental groups with - besides - an endless melodic line (first monodic, later in two voices) which seems to have nothing to do at all with the other music. The work ends quite surprisingly after a climax. The score is dedicated to my former teacher André Laporte.
I made a slight revision of the score in 2007. The first performance of this final version is given on November 16, 2007 at de Bijloke in Gent (B) by the Brabants Orkest (NL) conducted by Arturo Tamayo.