related works
Second Concerto : for cello and orchestra / Henriëtte Bosmans
	
			Genre: 
		
		Orchestra
	
			Subgenre: 
		
		Cello and orchestra
	
			Scoring: 
		
		vc-colo 2fl/picc 2ob 2cl 2fg 2h 2tpt timp perd hp str
	
Cello-concert : voor violoncello en orkest / Koos van de Griend
	
			Genre: 
		
		Orchestra
	
			Subgenre: 
		
		Cello and orchestra
	
			Scoring: 
		
		3333 4300 timp perc str(vl cb) vc-solo
	
Alchera : for (amplified) cello and chamber orchestra / Alexandre Rabinovitch-Barakovsky
	
			Genre: 
		
		Orchestra
	
			Subgenre: 
		
		Cello and orchestra
	
			Scoring: 
		
		vc-solo 3fl 2ob eh 3cl 2fg cfg 3trb perc cel 2clavinova
	
Belvedère : 2007 / Guus Janssen
	
			Genre: 
		
		Orchestra
	
			Subgenre: 
		
		Cello and orchestra
	
composition
				Second Concerto : for cello and orchestra / Henriëtte Bosmans
			
					
										Other authors:
									
									
									Leo Smit Stichting
									(Partner)
								
							Bosmans, Henriëtte
									(Composer)
								
							
							Description:
						
						
						The series 'Forbidden Music Regained' proudly presents works by composers who were persecuted during the Second World War. Performances of these works were forbidden during the war. Many composers were imprisoned, several did not survive and others went into hiding. 
After the war a new generation took over. The pre-war composers were soon forgotten and their compositions remained hidden in closets and archives or fell otherwise into oblivion. In recent decades numerous works have been rediscovered through the efforts of the Leo Smit Foundation. Some scores were found in attics, others in a garden shed and a pile of music was found by young children next to a garbage can. These compositions are of a high quality and deserve to be performed again. The diversity of styles represents the entire spectrum of the first half of the Twentieth century: romanticism, impressionism, modernism, neoclassicism, jazz, and so forth. This project aims to encourage musicians, young and old, from across the globe to perform these compositions, and for concert audiences to (once again) become acquainted with this “unheard” music.