composer

Padding, Martijn

Martijn Padding was born on April 24, 1956 in Amsterdam. In the introduction to his website, Martijn Padding writes, regarding his music and way of working, that he studied a volume ...

related works

Remote Places : for ensemble / Martijn Padding

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Subgenre: Mixed ensemble (2-12 players)
Instruments: fl sax-s sax-a sax-t 3tpt h 3trb(trb-b) pf db

3 liederen : voor mezzosopraan en 10 instrumentalisten, 1984 / Dirk Dekker

Genre: Vocal music
Subgenre: Voice and instrument(s)
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Magnificat : voor sopraan en pianotrio, 2001 / Jan Rokus van Roosendael

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Siebold's Farewell : Version for mezzo-soprano, koto and harp / Rijndert van Woudenberg

Genre: Vocal music
Subgenre: Voice and instrument(s)
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composition

Speculum inversum : for soprano, ensemble and live electronics, 2000 / Martijn Padding

Publisher: Amsterdam: Donemus, cop. 2005
Publisher's number: 11201
Genre: Vocal music
Subgenre: Voice and instrument(s); Electronics with different instruments
Instruments: sopr(perc) 2sax (trb ad lib.) perc el.g keyb el.cb electroncis
Remarks: Voor sopraan (tevens kleine bekkens), altsaxofoon, tenorsaxofoon, trombone ad lib., el. gitaar, el. contrabas, keyboard, slagwerker en live elektronica. - Latijnse tekst. - Tekst met Engelse vert. apart afgedrukt. - Met financiële steun van het Fonds voor de Scheppende Toonkunst. - Geschreven voor het LOOS Ensemble. - Tijdsduur: ca. 13'30''
Duration: 14'00"
Number of players: 8
Year of composition: 2000
Status: fully digitized (real-time delivery)

Description:
Program note (English): In the beginning of the 14th century a nun, Sybillia from Verlais, allowed herself to be bricked up within the walls of the convent, where she remained enclosed in an eight-square metre space for the next 38 years, in order to affirm of her love for God. While confined there she suffered terrifying hallucinations, brought on by her anorexic condition, causing her to enter the state of permanent ecstacy. Having started out as 'a bride of Christ', she began increasingly to pontificate about Satan, up to the point where the diabolic filth was so great that (following a trial) she was condemned to be burned at the stake. The text in Speculum inversum is based on the pronouncements she made during that trial. - MARTIJN PADDING

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