related works
Genre:
Orchestra
Subgenre:
Orchestra
Scoring:
3333 2sax-a 4431 timp perc g-b pf str
Genre:
Orchestra
Subgenre:
Orchestra
Scoring:
3333 4331 timp perc cel org 2hp str
Résonances : for orchestra, 1984/85 / Ton de Leeuw
Genre:
Orchestra
Subgenre:
Orchestra
Scoring:
2fl fl(pic) fl(fl-a) 3ob ob(eh) 3cl cl-b 3fg cfg 4h 3trp 3trb tb 4perc hp pf str(16.14.10.8.6.)
Transfer I : for orchestra / Jonathan Stark
Genre:
Orchestra
Subgenre:
Orchestra
Scoring:
2fl 2ob cl cl-b 2fg 2h 2tpt 2trb tb timp 2perc pf str
composition
If you reveal your secrets to the wind you should not blame the wind for revealing them to the tree / Merlijn Twaalfhoven
Other authors:
Twaalfhoven, Merlijn
(Composer)
Description:
Program note (English): [Première: November 17, 2002 - Concertgebouw, Bruges - Koninklijke Filharmonie van Vlaanderen cond. Lucas Vis] - The title of this piece is a text by Kahlil Gibran from Sand and Foam (1926). It is nice that musicians can perform a piece of music according to signs on paper. This saves a lot of time and discussion. Especially with a large orchestra, time is expensive and discussion is risky. Notation is practical and careful: bar lines clearly define the music in small blocks and noted define the pitch. This is why composing music is like LEGO; big and small pieces are available, red and yellow ones, sometimes a little puppet or a pair of wheels. As long as your manual is correct, the results will be fine. If you prefer clay modelling to playing with LEGO, than composing is a complicated business. Between the notes lies a world of sound which is impossible convert exactly into notation. A rehearsal is brief and the work of building up the piece does not allow you the time you
might want to sculpt, transform and shape the inner world of sound. This piece tries to disagree with the usual reign of the bar line-security imposed by the notation system. The order of convention appeared hard to resist though... - MERLIJN TWAALFHOVEN