related works
Eruption : for orchestra / Edward Top
Genre:
Orchestra
Subgenre:
Orchestra
Scoring:
2fl(picc) 2ob cl cl-b 2fg 4h 2trp 2trb trb-b timp 3perc hp str
La Commedia : for symphony orchestra / Alexey Retinsky
Genre:
Orchestra
Subgenre:
Orchestra
Scoring:
2fl picc 3ob 3cl(cl-b) 3fg(cfg) 4h 4tpt 3trb tb timp 5perc hp str
'tween : for orchestra, 2000 / Ron Ford
Genre:
Orchestra
Subgenre:
Orchestra
Scoring:
3333 4430 perc pf str
Toccata voor orkest : opus 84, -1973- / Géza Frid
Genre:
Orchestra
Subgenre:
Orchestra
Scoring:
3223 4331 8-5perc cel 2hp str
composition
Symphony : Golden dragon, for orchestra, 2001 / Edward Top
Other authors:
Top, Edward
(Composer)
Description:
Program note (English): There are three main elements onto which this piece is constructed. 1) Sound: this is often created by successions of clusters; I shall call them cluster-chorales, hissing sounds (strings), chromatic walls, and/or modal sound fields. - 2) Motives: there are a number of motives of different character forming the basis of the composition, either tonal-melodic or harmonic and chromatic. - 3) Traditional gestures: a lot of gestures in the piece originate from traditional symphonic music. The final chorale towards the end of the work is some sort of blown up Tchaikowski. The three elements join each other in a fourth element: Layers. On many occasions there are different elements sounding simultaneously and in different instrumental groupings. An important feature in the Symphonys orchestration is the particular octave doubling, or being 'on the verge of octavation'. Idea is to create extra tension by not resolving dirty octaves, i.e. major sevenths and minor ninths. One could say
the orchestration has become part of compositional ideas, even with finding pitches. After its original setting including Wagner tubas and contrabass trombone, the symphony was revised in 2001 and the orchestration was reduced. - EDWARD TOP