related works
Eruption : for orchestra / Edward Top
Genre:
Orchestra
Subgenre:
Orchestra
Scoring:
2fl(picc) 2ob cl cl-b 2fg 4h 2trp 2trb trb-b timp 3perc hp str
Plons - Idem : for small orchestra, 1994 / Maurice Horsthuis
Genre:
Orchestra
Subgenre:
Orchestra
Scoring:
0111 sax-a 1100 tub-bells hp str
Soundscape of my time : for symphony orchestra / Reza Nakisa
Genre:
Orchestra
Subgenre:
Orchestra
Scoring:
2fl 2ob 2cl 2fg 2h 2trp trb 2timp perc str
Cinq impromptus : für Kammerorchester, 1958 / Ton de Kruyf
Genre:
Orchestra
Subgenre:
Orchestra
Scoring:
1222 2110 perc str
composition
Symphony : Golden dragon, for orchestra, 2001 / Edward Top
Author(s):
Top, Edward
(Composer)
Description:
Program note (English): There are three main elements onto which this piece is constructed. 1) Sound: this is often created by successions of clusters; I shall call them cluster-chorales, hissing sounds (strings), chromatic walls, and/or modal sound fields. - 2) Motives: there are a number of motives of different character forming the basis of the composition, either tonal-melodic or harmonic and chromatic. - 3) Traditional gestures: a lot of gestures in the piece originate from traditional symphonic music. The final chorale towards the end of the work is some sort of blown up Tchaikowski. The three elements join each other in a fourth element: Layers. On many occasions there are different elements sounding simultaneously and in different instrumental groupings. An important feature in the Symphonys orchestration is the particular octave doubling, or being 'on the verge of octavation'. Idea is to create extra tension by not resolving dirty octaves, i.e. major sevenths and minor ninths. One could say
the orchestration has become part of compositional ideas, even with finding pitches. After its original setting including Wagner tubas and contrabass trombone, the symphony was revised in 2001 and the orchestration was reduced. - EDWARD TOP