related works
Concerto : for violin and two orchestras / Edward Top
Genre:
Orchestra
Subgenre:
Violin and orchestra
Scoring:
vl-solo 2picc(fl) 2ob cl(cl-b) fg(cfg) 2trp 2trb tb-b perc hp pf(synth) str
Three preludes : for orchestra, 1993-1994 / Tristan Keuris
Genre:
Orchestra
Subgenre:
Orchestra
Scoring:
fl 2fl(pic) 2ob eh 3cl cl-b 2fg cfg 4h 3trp 3trb tb timp 3perc hp str(14.12.10.8.8.)
Sinfonia VI : (op. 69 + 81), 31-VII-1963 Amsterdam / Lex van Delden
Genre:
Orchestra
Subgenre:
Orchestra
Scoring:
2232 4331 timp perc str
Babel : 6 orkesten, 14 pauken, 3 tamtams, 1985 / Daan Manneke
Genre:
Orchestra
Subgenre:
Orchestra
Scoring:
8876 6631 6timp 3tam 4str
composition
Symphony : Golden dragon, for orchestra, 2001 / Edward Top
Author(s):
Top, Edward
(Composer)
Description:
Program note (English): There are three main elements onto which this piece is constructed. 1) Sound: this is often created by successions of clusters; I shall call them cluster-chorales, hissing sounds (strings), chromatic walls, and/or modal sound fields. - 2) Motives: there are a number of motives of different character forming the basis of the composition, either tonal-melodic or harmonic and chromatic. - 3) Traditional gestures: a lot of gestures in the piece originate from traditional symphonic music. The final chorale towards the end of the work is some sort of blown up Tchaikowski. The three elements join each other in a fourth element: Layers. On many occasions there are different elements sounding simultaneously and in different instrumental groupings. An important feature in the Symphonys orchestration is the particular octave doubling, or being 'on the verge of octavation'. Idea is to create extra tension by not resolving dirty octaves, i.e. major sevenths and minor ninths. One could say
the orchestration has become part of compositional ideas, even with finding pitches. After its original setting including Wagner tubas and contrabass trombone, the symphony was revised in 2001 and the orchestration was reduced. - EDWARD TOP