Top, Edward

Edward Top was born in Ommen, the Netherlands, in 1972. Top has lived and worked in London, Bangkok, and Rotterdam. He now lives in Vancouver, Canada. Top studied composition and ...

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Concerto : for violin and two orchestras / Edward Top

Genre: Orchestra
Subgenre: Violin and orchestra
Instruments: vl-solo 2picc(fl) 2ob cl(cl-b) fg(cfg) 2trp 2trb tb-b perc hp pf(synth) str

Invocazione : orchestra, 1972, reinstrumentation 2000 / John Borstlap

Genre: Orchestra
Subgenre: Orchestra
Instruments: 2333 4330 timp perc cel hp str

De Dauwboog : for orchestra / Reza Namavar, 2008

Genre: Orchestra
Subgenre: Orchestra
Instruments: pic 2fl ob ob(eh) 3cl 2fg cfg 4h 3trp 3trb tb timp 4perc hp pf(cel) str

Symphonie / Luctor Ponse

Genre: Orchestra
Subgenre: Orchestra
Instruments: pic(fl) 2fl(pic) 2ob eh 2cl cl-b 2fg cfg 4h 3trp 3trb tb timp perc cel hp str



Symphony : Golden dragon, for orchestra, 2001 / Edward Top

Publisher: Amsterdam: Donemus, 2002
Publisher's number: 10501
Genre: Orchestra
Subgenre: Orchestra
Instruments: 3333 4431 timp 3perc hp pf(cel) str(
Remarks: Laatste titelp. vermeldt: versie 2001. - Oorspr. jaar van comp.: 1998-2000. - Cop. MuziekGroep Nederland, 2001. - Tijdsduur: ca. 16'
Duration: 16'00"
Year of composition: 2000
Status: fully digitized (real-time delivery)

Program note (English): There are three main elements onto which this piece is constructed. 1) Sound: this is often created by successions of clusters; I shall call them cluster-chorales, hissing sounds (strings), chromatic walls, and/or modal sound fields. - 2) Motives: there are a number of motives of different character forming the basis of the composition, either tonal-melodic or harmonic and chromatic. - 3) Traditional gestures: a lot of gestures in the piece originate from traditional symphonic music. The final chorale towards the end of the work is some sort of blown up Tchaikowski. The three elements join each other in a fourth element: Layers. On many occasions there are different elements sounding simultaneously and in different instrumental groupings. An important feature in the Symphony’s orchestration is the particular octave doubling, or being 'on the verge of octavation'. Idea is to create extra tension by not resolving dirty octaves, i.e. major sevenths and minor ninths. One could say
the orchestration has become part of compositional ideas, even with finding pitches. After its original setting including Wagner tubas and contrabass trombone, the symphony was revised in 2001 and the orchestration was reduced. - EDWARD TOP

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