related works
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Genre:
Orchestra
Subgenre:
Large ensemble (12 or more players)
Scoring:
3erhu 2kamancheh 2vn 3vla 2vc db
Panta Rhei : Utopia for orchestra / Svyatoslav Lunyov
Genre:
Orchestra
Subgenre:
Orchestra
Scoring:
3fl 3ob 2cl 2fg cfg 6h 4trp 3trb tb timp perc hp pf str
Dyas : twee bewegingen voor orkest = two movements for orchestra, 1998 / Roel van Oosten
Genre:
Orchestra
Subgenre:
Orchestra
Scoring:
2222 4210 timp 2perc hp str
Arbeid : symphonische beweging / Marius Monnikendam
Genre:
Orchestra
Subgenre:
Orchestra
Scoring:
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composition
Symphony : Golden dragon, for orchestra, 2001 / Edward Top
Author(s):
Top, Edward
(Composer)
Description:
Program note (English): There are three main elements onto which this piece is constructed. 1) Sound: this is often created by successions of clusters; I shall call them cluster-chorales, hissing sounds (strings), chromatic walls, and/or modal sound fields. - 2) Motives: there are a number of motives of different character forming the basis of the composition, either tonal-melodic or harmonic and chromatic. - 3) Traditional gestures: a lot of gestures in the piece originate from traditional symphonic music. The final chorale towards the end of the work is some sort of blown up Tchaikowski. The three elements join each other in a fourth element: Layers. On many occasions there are different elements sounding simultaneously and in different instrumental groupings. An important feature in the Symphonys orchestration is the particular octave doubling, or being 'on the verge of octavation'. Idea is to create extra tension by not resolving dirty octaves, i.e. major sevenths and minor ninths. One could say
the orchestration has become part of compositional ideas, even with finding pitches. After its original setting including Wagner tubas and contrabass trombone, the symphony was revised in 2001 and the orchestration was reduced. - EDWARD TOP