related works
Eruption : for orchestra / Edward Top
Genre:
Orchestra
Subgenre:
Orchestra
Scoring:
2fl(picc) 2ob cl cl-b 2fg 4h 2trp 2trb trb-b timp 3perc hp str
Ombre Cinesi : for orchestra, 2005 / Willem Jeths
Genre:
Orchestra
Subgenre:
Orchestra
Scoring:
fl fl(pic) ob ob(eh) 2cl cl-b 2fg cfg 2h trp trp(trp-p) trb-t trb-b tb timp perc cel hp erhu(Chinese vl) str
Un éphémère espagnol : voor orkest / Maarten Bon
Genre:
Orchestra
Subgenre:
Orchestra
Scoring:
5022 sax-a 0100 11perc pf4h str(8.8.8.8.2.)
Ragtime : for orchestra / Erik Lotichius
Genre:
Orchestra
Subgenre:
Orchestra
Scoring:
picc 2fl 2bsn 4cl cl-a cl-b sax-a sax-t 3tp 3h 3trb tb-bar tb-b timp perc
composition
Symphony : Golden dragon, for orchestra, 2001 / Edward Top
Author(s):
Top, Edward
(Composer)
Description:
Program note (English): There are three main elements onto which this piece is constructed. 1) Sound: this is often created by successions of clusters; I shall call them cluster-chorales, hissing sounds (strings), chromatic walls, and/or modal sound fields. - 2) Motives: there are a number of motives of different character forming the basis of the composition, either tonal-melodic or harmonic and chromatic. - 3) Traditional gestures: a lot of gestures in the piece originate from traditional symphonic music. The final chorale towards the end of the work is some sort of blown up Tchaikowski. The three elements join each other in a fourth element: Layers. On many occasions there are different elements sounding simultaneously and in different instrumental groupings. An important feature in the Symphonys orchestration is the particular octave doubling, or being 'on the verge of octavation'. Idea is to create extra tension by not resolving dirty octaves, i.e. major sevenths and minor ninths. One could say
the orchestration has become part of compositional ideas, even with finding pitches. After its original setting including Wagner tubas and contrabass trombone, the symphony was revised in 2001 and the orchestration was reduced. - EDWARD TOP