composer

Ford, Ron

Ronald Ford was born September 29, 1959 in Kansas City, U.S.A. He moved to Amsterdam, the Netherlands, in 1983. Education: Ford studied composition, piano and computer engineering at the Duke University ...

related works

Comment qu'a moy lonteinne soies : for 4 male voices (baritones), 2 saxophones, 2 trombones and 2 double-basses, 1987 / Ronald Ford

Genre: Vocal music
Subgenre: Vocal Ensemble (2-12) and instrument(s)
Scoring: 4bar 2sax-t 2trb 2cb

Tjempaka : for string quartet, 1996 / Will Eisma

Genre: Chamber music
Subgenre: String Quartet (2 violins, viola, cello)
Scoring: 2vl vla vc

Virtuality : for saxophone quartet / Chiel Meijering

Genre: Chamber music
Subgenre: Saxophone
Scoring: sax-s sax-a sax-t sax-bar

La Sfida : for orchestra / Luc Van Hove

Genre: Unknown

 

composition

Al-Fâtiha / Ron Ford

Publisher's number: 10112
Genre: Unknown
Remarks: Voor ensemble en tape. - Jaar van comp.: 2000. - Tijdsduur: ca. 15'
Duration: 15'00"
Year of composition: 2000
Status: fully digitized (real-time delivery)

Description:
Program note (English): In the recitation of the Koran, the singer balances between speaking recitation and sung aria. When I was asked to write a piece for the Volharding, I wanted to try to get a new sound from the group. It was not my idea to write a solo concerto, but more a piece wherin one player continually gave information to the group. This function quickly became that of a reciter, and thus the link with the Koran was complete. Al-fatiha is in various ways based on the first verse of the Koran, titled 'the opening'. Throughout the piece the trombone part is derived from this performance of the Koran verse, and the soloist is continously feeding information to the rest of the ensemble. The ensemble reacts upon this information with shadow notes and harmonies, articulation, and unexpected interruptions. Later in the piece it is the (Arabic) text that steers the music. Syllabes and words are translated into a stuttering, spattering tutti. In the end, it is the singer himself (on tape) that
leads the piece towards its end. The recording begins close and intimate, and changes slowly to the acoustics of a mosque, and finally ends in the beautifully distorted sound recognizable as that of the Koran thrown into the world from the turrets. - RON FORD

Sheet Music
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